Floating to the house now and all is light Such warm and guiding light. The house of God—I’ve always known it— Small and swelling With quiet joy. Entering the house now, Dirty boots line the entranceway, Coats on the rack.
And all is quiet.
There are no lights, no fixtures, But the sun through the windows Is warm and bright And sustaining. The kitchen smells of delight The food makes itself. Upstairs, the beds are all made And the air is thin and breathable As it floats through the windows, Passing over the flower boxes at every sill. Out back the great oak tree stretches To the skies as the men and women of my life Lay on its thick, strong branches reclining And denying any sense of effort or fear. They ask me to join them, But I’m not ready. I’d rather chase The monarch butterfly in the yard, The dew of the grass on my bare feet —sweet to taste and soft to touch—
Mere droplets of God’s love— Which is in everything, always, Waiting for us to come home.
I would point you in the right direction, but I cut off my hands when I realized the wrong they were doing.
Carole King knows exactly what I'm going through.
I want to go home. But there isn't one yet. I'm changing my number and throwing away my black book and living in some miserable high rise that is in fact some ranch style two bedroom in a small town and will reside a complete alien among what used to be my norm, my wrecking crew, my friends.
This blog is a travelogue of a 3 semester independent study that I developed with Dr. Jennifer A. Scott at Grove City College. The first semester consisted of researching artist manifestos and writing my own. Fall of 2010 will be a period of creating art for a gallery exhibit at ARTica in Pittsburgh in conjunction with Geek Art/Green Innovators Festival and Unblurred.
The gallery, Welcome to SamSamland: Don't Wear Black to My Funeral, is sponsored by New Sun Rising.